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Bending Nation

Found 1 result

  1. My question is a bit connected to this blog post or to this one. Everyone knows that sometimes two writing partners have different interests in what kind of stories to write. If I don't have any interest in some aspects the others want to explore, I am not saying it, accepting to write what the other is interested in, because I am sure that, no matter how much I like it or not, it is a part of the story and therefore worth exploring for character development and/ or plot progression. As long as one of us is interested, the other can go along for the ride. I believe that even in love, in a couple, nobody loves 100% (neither 50% each to make up a whole). Always, in the moment x, there would be someone loving the other more, offering more (70%-30% or so), just for the balance to turn on the other's side next time. It is important only to be a balance - both to want to be together. Nobody counts who offers more in moment x and who offers more in moment y. In writing with a partner it is the same - always one will be more enthusiastic about one thread/ plot point and the other about another thread/ plot point. And I am always offering what I can. If this part is less fun for me, the next one will be breathlessly interesting, so I am doing both. But others aren't like me. They want to have all the fun now, not understanding about build-up and other writing techniques which exist and are used by many writers. They want to skip moments they consider "boring", no matter if they are building something else and they are useful in the story. (I say, instead "do something to make them less boring, instead of avoiding them! It is up to the writers to make a story/ chapter/ thread interesting!") They don't want to write first meeting scenes, with persons who are important in their lives in a way or another, considering them boring. I know that one can't force another to write what they don't want to write. However, there are 2 negative aspects of this approach, both impacting the story: 1) if you never show them meeting, if you never show your character's thoughts and opinions even post-meeting, if you don't want to write the meeting per se, then... not only your character is deprived of character development, but 2-3 characters at least. And is it fair? Can it ground any future relationship in this way? 2) If you never show them meeting, nor your character's thoughts and opinions even post-meeting, then if I assume what happened, it might be called godmodding instead of guesswork. At the same time, since this meeting happened (albeit offscreen), since your character and mine live in the same house for a period of time, it is important for my characters too. How can mine show the impact of the meeting, without godmodding, if you don't want to say anything about it? How are you dealing with these missing parts of your characters' stories?
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