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The world is functioning upside down



It is nothing new that the world is functioning upside down in various aspects of life. Why not in the writing realm too? 😢


As you know already, and as you can see from the blog image, I have published three novels up to now. Two others and a short stories anthology will follow soon, almost certainly all three to appear this year. I published with small indie presses, because this is what I have the possibility in the current book market conditions. Many writers more seasoned than me published with the same two indie presses, so I am in good company. (And they aren't vanity presses, printing and dumping the books in your arms. No, they assure launching events, participation at fairs, the collaboration of literary critics, etc.)


I am glad that I have started to become a little known among the contemporary writers in Bucharest. If one googles my pen name (despite being quite common internationally) one can find something about one of my novels too. If googling the titles, there are few information about them, but they are, reviews and photos. I had good reviews from the literary critics at the book presentation events, I had my novels displayed at the bi-annual Bucharest International Book Fairs... all these are successes for a junior writer, with only 3 novels published up to now. 


What's more important as a success, is the fact that I have a senior writer's support to get in the National Writers' Union (union as in professional association, not what you understand generally by trade Union and we call Syndicates, which is work regulation-related.) It will happen, most likely, in 2019, after I get the required number of publications. My publishers also support this endeavour, and they will rally enough literary critics to get the required recommendations portfolio until then. (It has started building already).


It sounds lovely, but... let's vent my frustrations too, here, not on my public blog, where those who have generated them in a way or another can see them... And this comes with the warning that the Romanian book market, unfortunately, doesn't ressemble the English speaking books market, so most of the book marketing ideas I find online, in English speaking blogs, unfortunately do not apply. While the English speaking market is catering to nearly one billion people (there were, in Internet statistics, 400 million native speakers of English, to which to add 400 million speakers of English as a second language, in 2006, and I assume the population has increased in 12 years), the overall population of Romania was of 19.5 million people, out of which about 4 million are abroad, about 3 million too young to read my novels (below 14)... and from the remaining 12.5 million, about 40% or more are poor, too busy to survive and not reading anything else than an occasional newspaper or religious book. Sad, but true.  Of course, from the remaining people who would read in principle (some regularly, some occasionally) not all are fans of historical adventures fiction/ YA, what I am writing. This is a realistic analysis. 


As far as I heard the publishers say (not only personally to me, but also in interviews on the internet) - and we have our "big fives" here too, plus a whole constellation of small indie presses (the equivalent of self publishing would be here dealing directly with the printing house without a publisher, which is recommended only for professional books which have already the distribution ensured or for people who print one memoir book in their lives to give to 50-100 people, not needing ISBN or anything), in my country a book (written by a contemporary national writer, not translations of international bestsellers and not books required for school reading like our classics) printed in 1,000 copies is already considered a best seller.  My novels were, 2 of them published in 200 copies, the first one in 300. It is the level generally the writers around me use. 


Now, my sincere frustrations?


- I haven't recovered the costs on any of them. Yes, I have sold some, but the greatest amount was given freely. Now, to be honest, I knew from the start that I wouldn't get rich from writing. I did it from my heart, and I loved when I received compliments about the books (not only from the critics, I appreciate more the readers' compliments and questions, even if I know the critics' are of importance for the accession to the Writers' Union). This is when I felt they got their mission, to brighten someone's day and to transport them to another time and place, offering them an insight on that way of living. But I would have appreciated if I succeeded to recover my costs. Some writers know business owners and get sponsors. (I had sponsors too, back in 1999, for my professional handbook in project management). I don't know influent people who would be able to sponsor me, every cost is supported from my meager savings (given that I am retired now).  Yes, I sold books at various events... but the money received covered the expenses of the event, with very little margin (if any).


I can't reach exactly my target group, the high-school and Uni youngsters. Until now, my novels were bought mostly by grown-up or older people who were nostalgic about the style of novels they use to read, because these were the ones coming to the literary events. 


- I had also two interviews in English about my novels (12, I remember one more but I can't find any link, just the file where I replied to the questions) and one other would come soon, but I can't reach the Romanian book review bloggers, despite having seen some other writers getting several reviews. It's not about the novels' quality, it's about whom you know in the field... and I don't. Or, at least, not yet - I am still working on it. And praying for a bit of good luck.


...And everything needs more money. Half, I understand this as in the fact that if I try to expand my marketing network, this doesn't come for free because this is what those people gain their living from - organising things. I understand that some reviews/ forewords/ have a price too, because those critics are famous and listened to, on one side, and on the other side, this is what they are gaining their living from. In the rare cases when I made reviews (I hate making reviews, but I consider that if some people spoke in favour of my books at my launchings, I have to give it back to the writers' community and do it whenever needed from me), I made them from the moral spirit expressed above, and it wouldn't have occurred to me to ask for any benefit. (Well, I received the book free from the publisher in exchange of the review).  I am lucky that I don't have to pay my beta-reader/ first editor, because many people have to do it too. She does it from friendship, for free, and I am grateful to her.


But in a world which wouldn't function as upside down as it does, the writer should be allowed to write - like it was before the ascension of social media - and the others should do the marketing part. I am sure that Hemingway, Victor Hugo, Alexandre Dumas weren't the ones to do much more than writing. Yes, they received their money after the books were sold, but nobody asked them money for publishing, for book launching events organisation and other things. Or, if now shedding money is a must because there are too many books published and no publisher assumes the economic risks anymore in this crisis economy, at least they should want the money from the sales! Not before recovering the costs...


One would say fame has a price. But I still have the feeling that things aren't how they should be.


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